Three Cool Alternate Wiring Schemes for Telecaster® | Seymour Duncan - The subsequent concept uses the tapped tele pickup i evolved. I’d continually wanted a tele or esquire pickup with output ranges: a decrease-output antique sound and a warmer sound with more quantity and sustain. I designed a version for alan dutton, jeff beck’s avenue manager. Jeff heard and appreciated it, and he used it on his guitar keep album. With this wiring, function 1 is the bridge pickup, position 2 is the neck pickup, and role three is a dark neck pickup tone with all of the treble rolled off. That position three sound is simply too darkish for lots of gamers, though a few men like it for playing jazz or faking bass strains. But the coolest component is, when you’re in role 1, the tone knob acts as a blend transfer, and you may blend in as an awful lot or as little of the neck pickup as you like. There are some clearly first-class blends in there that you may’t get with the usual wiring scheme. There’s a exchange-off, though: you don’t have a everyday tone manage. So this is probably now not an excellent desire for players who like the use of their tone knobs for wah-type sounds. However if you don’t use your tone knob loads, or simply use it to take off a little pinnacle give up while you’re within the bridge function, you can find you get the whole thing you want from the blended settings. This gives you the same old tele sounds within the first three positions. However in function 4, you get both pickups in series like a humbucker. It’s a big enhance in output and a huge, fats tone. When you set up this with a five-way switch, you get the same old antique tele sounds in three of the positions. But in the other two, you get the beefier, complete-output bridge pickup alone, and the full-output bridge pickup blended with the neck pickup. I love this one due to the fact you get all the traditional sounds, plus exceptional higher-output settings.